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Ebook Download Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, by Mark Harris

Ebook Download Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, by Mark Harris

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Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, by Mark Harris

Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, by Mark Harris


Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, by Mark Harris


Ebook Download Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, by Mark Harris

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Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, by Mark Harris

Review

"Pictures at a Revolution is probably one of the best books I've ever read in my life.”-Quentin Tarantino"A rarity in the world of movie literature: A first-rate, broad-gauged (and deliciously readable) cultural history." -Richard Schickel, Los Angeles Times "A landmark new film book . . . sifts through the evidence with reportorial acumen and great care, conjuring up the social and cultural history of a lost world and drawing on sharp new interviews with many of its major players. . . . Can take its place alongside top-shelf film industry books." -Janet Maslin, The New York Times

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About the Author

From 1990 to 2006, Mark Harris worked as a writer and editor covering movies, television and books for Entertainment Weekly, where now writes the "Final Cut' back-page column. He has written about pop culture for several other magazines as well. He lives in New York City with his husband, Tony Kushner.

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Product details

Paperback: 512 pages

Publisher: Penguin Books; Reprint edition (January 27, 2009)

Language: English

ISBN-10: 0143115030

ISBN-13: 978-0143115038

Product Dimensions:

5.5 x 1 x 8.4 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

84 customer reviews

Amazon Best Sellers Rank:

#115,220 in Books (See Top 100 in Books)

It's common these days to look back on the old studio system with nostalgia. This book is about the year it crashed and burned. Five Pictures at a Revolution is the story of how new independent directors competed with some of the old hands in 1967. As the author aptly puts it, "Warren Beatty who looked like a movie star, was a producer. Dustin Hoffman who looked like a producer, had become a movie star." "Sidney Poitier, who looked like no movie star had ever looked," was the biggest box office in history, and Hollywood didn't know what to do with him.If you are old enough to remember the sputtering end of "old Hollywood," you might remember some of the dreadful movies it produced in those final years. Restricted by censorship, the system went crazy producing big budget musicals, James Bond spy films and Bible epics. Movie executives were out of touch with the mood of the country--which was mired in an unpopular war, the civil rights movement and a host of other causes. Despite huge dissatifaction within American society, Hollywood movies reflected little change. Then, in 1967 Dr. Doolittle competed with In the Heat of the Night, The Graduate, Guess Who's Coming to Dinner and Bonnie and Clyde for Best Picture. What a year.Mark Harris had access to many of the folks who worked on the five movies and he's a gifted storyteller and journalist. This is a great book for someone who wants to find out about how movies went from apolitical musicals, epics, thrillers and dramas to irreverent works by Woody Allen, Stephen Spielberg, Nora Ephron etc.

This is a product review for the Audio Book Unabridged version of Mark Harris's Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. I greatly enjoyed the voice of the Lloyd James reading the book. His diction was excellent and his voice was pleasant on the ears. The story itself was well written and engaging. I especially enjoyed the analysis of the Sydney Poitier movies vis-a-vis the Civil Rights movement. But I want to tell potential buyers something about the actual CD's themselves. I sold this product used on Amazon and now I'm having to do a refund because the buyer says he is unable to play the CD's. So I returned to the actual listing and sure enough the Amazon listing for the product does not tell you what it says on the package. The audio CD's are "MP3 PLAYER READY" (I think the package may actually say IPOD READY. They do not play in regular stereo or walkman CD players. They are meant to be placed in a computer and ripped by Itunes for upload to one's IPOD. There are two CDs which have multiple duplicate files of the audio book on them. One file format is MP3, another is the file format used by Sony's PSP (I think), and another is for the file format used by ZUNE (I think). NONE of the file formats are WAVE formats, which is the format played by regular stereo CD players. The listing really should state this fact but since it does not I am putting it in the review. I hope this review assists people in making a decision about whether or not buying this very well written book in audio format is the best for them.

A highly readable account of how the five pictures nominated for best picture for 1967 came into being - with the thesis being that 1967 marked a transition as the last of the old Hollywood studio system came apart (e.g. Jack Warner sells Warner Bros and then retires) and the new Hollywood appears (e.g. Warren Beatty, 20-something rising new star decides to control his destiny by producing his own film).One of the things the book makes clear is how small town much of Hollywood was -- and how, to some degree, it divided up by age (there's a story of a party that Jane Fonda holds and invites her father and his friends and her contemporaries -- and how the guests clustered in different places, and went home at different times, during the night). It also vividly explains the gestation of each move, and sketches how the movies represent various trends in Hollywood of the time.The book is very readable and full of wonderful material. The only reason I don't rate it 5 stars is that it assumes that you've seen all five movies and remember them well enough to grasp why the discussion of a particular scene is important (I only remember three of the movies well enough and sometimes felt a bit lost in the discussions of the two [Bonnie & Clyde and Heat of the Night] that I didn't remember) and that you're film literate enough that a casual mention of a particular film title (Planet of Apes, Reds, etc.) will resonate and convey a message.

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