Selasa, 27 Desember 2016

Get Free Ebook Feline Cardiology

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Feline Cardiology

Feline Cardiology


Feline Cardiology


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Feline Cardiology

Review

“This makes it a very interesting book for both residents in training and general practitioners.  All of these features make the acquisition of a copy of Feline Cardiology very worthwhile for all Veterinarians who wish to know more about cardiology, and not necessarily only feline cardiology.”  (EJCAP, 1 March 2013) “Feline Cardiology’ is a must-have in-clinic text, dedicated to the complex discipline of cardiology in the feline species. It provides easy-to-locate key information for quick reference by the busy or less experienced veterinarian, while incorporating in-depth and advanced material of interest to the more enthusiastic practitioner, referral clinician or those undertaking further study in small animal cardiology.”  (Veterinary Record, 8 December 2012) “This book should be in your bookshelf if you are serious about the cat’s heart!.”  (Vet Nurses Today, 2012) A fantastic book. The pictures alone are worth the price of the book. The echocardiograms are all clearly marked so even a novice can quickly see what the issues are which stands out well.  The four authors have done an amazing job getting this material together from distant sites and yet have managed a hard task in making the book into a unified and well organized text. Anyone interested in the cat should certainly want this not only on his/her bookshelf but used daily in the clinic alongside the radiographs and the ultrasound machine. The addition of diseases complicating cardiac conditions or simply found in conjunction with heart problems is one that many vets face daily and this should provide them with some great help. Of course the entire section on hypertension is one that fits into the feline profile as an important adjunctive cardiac problem and needed to be as complete and as well written as this one is.  (December 2011, Steve Ettinger, DVM, DACVIM, FACC, FAHA)  "The book is well organized and the most important subjects in feline clinical cardiology are addressed and supported by high quality illustrations and images. Various important  features make the book very user-friendly for a busy clinician. For instance, through the different sections the authors summarize “Key Points” that should be kept in mind, and the most relevant references are underlined at the end of each chapter. There is also a chapter giving general therapeutic guidelines and a drug formulary with the main indications and dosages of the most frequently used cardiovascular drugs. Finally, some important reference numbers that one should know are strategically placed on the back cover of the book." (European Journal of Companion Animal Practice, 2013)

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From the Back Cover

Feline Cardiology is the first book dedicated to the diagnosis and treatment of heart disease in cats.  Designed for use in clinical practice, this reference combines cutting-edge information with practical applications, using a consistent format for ease of use.  Feline Cardiology provides detailed, species-specific information that is absent from other texts, with an emphasis on the most commonly encountered feline cardiovascular diseases. Drawing on the expertise of four internationally recognized authors, the book is packed with state-of-the-art information within the framework of daily practice.  Coverage ranges from the newest information on cardiac magnetic resonance imaging and genetic testing to basic and advanced treatment approaches for cardiomyopathies, arrhythmias, and many more disorders.  Feline Cardiology provides a comprehensive single resource to managing cardiovascular disease in cats and is a welcome addition to any small animal practice library. Key features First book devoted entirely to recognition and management of cardiovascular disease in the domestic cat Covers advanced, state-of-the art material, including cardiac biomarkers, cardiac magnetic resonance imaging, current approaches for screening programs, and pre-breeding evaluation of cats for heart disease Provides practical approaches to evaluating and treating heart disease in cats Answers common and challenging clinical questions, with the most space given to the most commonly encountered feline cardiovascular diseases   Offers the very latest treatment information in individual disease chapters and in the cardiac drug formulary Includes a wealth of information not available in other sources, such as comorbidities, anesthesia of suspected heart patients, drug selection, and tables of normal cardiovascular parameters in cats

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Product details

Hardcover: 498 pages

Publisher: Wiley-Blackwell; 1 edition (November 29, 2011)

Language: English

ISBN-10: 0813812429

ISBN-13: 978-0813812427

Product Dimensions:

8.8 x 1.1 x 11.1 inches

Shipping Weight: 3.8 pounds

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#2,421,327 in Books (See Top 100 in Books)

Its vey comprehensive and written at a level for both students and cardiologists. It has the most current and up to date research for feline cardio. Get this book!

You must buy this book !!! I attended Dr.Etienne Cote lacture and he knows how to explain complicated things in a simple way. This is what he and the other autors of this book did . Very recomended book .If you are in small animals practice you must have this book.

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Senin, 26 Desember 2016

PDF Ebook CRASH! BOOM! A Math Tale, by Chris Chatterton

PDF Ebook CRASH! BOOM! A Math Tale, by Chris Chatterton

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CRASH! BOOM! A Math Tale, by Chris Chatterton

CRASH! BOOM! A Math Tale, by Chris Chatterton


CRASH! BOOM! A Math Tale, by Chris Chatterton


PDF Ebook CRASH! BOOM! A Math Tale, by Chris Chatterton

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CRASH! BOOM! A Math Tale, by Chris Chatterton

Review

Unlike many other math titles, there is no note to parents or teachers and no directions to kids—it's just a simple tale of a child exploring with blocks. Elephant's pure joy in exploration and success are sure to be catching, so make sure the blocks are close at hand.—Kirkus ReviewsA clever blend of scanned images of wooden unit blocks and a perfectly adorable hand-drawn blue elephant set the stage of this counting and building book...A simply presented look at block play and the mathematics behind it. Perfect for early learning collections in both public and school libraries.—School Library JournalAttention, aspiring architects and engineers: a first builder’s blueprint for constructing really, really tall buildings has arrived!...The tenacious elephant, clad in a purple sweater, appears on every page, and his expressive face conveys his every emotion, obvious in this simple story for very young children who want to construct with expertise and count as they go.—Booklist

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About the Author

Robie H. Harris is the New York Times best-selling author of It’s Perfectly Normal: Changing Bodies, Growing Up, Sex, and Sexual Health; It’s So Amazing! A Book About Eggs, Sperm, Birth, Babies, and Families; and It’s NOT the Stork! A Book About Girls, Boys, Babies, Bodies, Families, and Friends. She is also the author of the Let’s Talk About You and Me series. Robie H. Harris lives in New York City.Chris Chatterton is an author, animator, and the illustrator of There’s a Bison Bouncing on the Bed! by Paul Bright and When Santa Came to Stay by Timothy Knapman. Chris Chatterton lives in Newcastle upon Thyme, England.

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Product details

Age Range: 2 - 5 years

Grade Level: Preschool - Kindergarten

Hardcover: 32 pages

Publisher: Candlewick (May 8, 2018)

Language: English

ISBN-10: 0763678279

ISBN-13: 978-0763678272

Product Dimensions:

10.2 x 0.3 x 10.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#19,738 in Books (See Top 100 in Books)

This is a great story for reinforcing math concepts with young children.

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Kamis, 08 Desember 2016

Free PDF , by Matt Doeden

Free PDF , by Matt Doeden

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, by Matt Doeden


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, by Matt Doeden

Product details

File Size: 11441 KB

Print Length: 112 pages

Publisher: Capstone Press; Reprint edition (February 1, 2018)

Publication Date: February 1, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B079S7F6JM

Text-to-Speech:

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Amazon Best Sellers Rank:

#1,311,144 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Senin, 05 Desember 2016

Get Free Ebook The Platypus and the Mermaid: And Other Figments of the Classifying Imagination

Get Free Ebook The Platypus and the Mermaid: And Other Figments of the Classifying Imagination

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The Platypus and the Mermaid: And Other Figments of the Classifying Imagination

The Platypus and the Mermaid: And Other Figments of the Classifying Imagination


The Platypus and the Mermaid: And Other Figments of the Classifying Imagination


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The Platypus and the Mermaid: And Other Figments of the Classifying Imagination

From Library Journal

Most people can be divided into two groups: classifiers and nonclassifiers. Ritvo (history, MIT) brings order to the history of classifiers of the natural world. Looking primarily at 18th- and 19th-century Britain, she puts taxonomic, or classification, practices into their cultural context. Ritvo begins with a chapter on broad zoological classifications and their problems, followed by one on the history of zoological nomenclature?how and why we use the scientific names we use. The first two chapters are then placed in a wider context by chapters on hybrid animals, natural and unnatural monsters and abnormalities, and carnivorism. Ritvo's work is an insightful look at the development of English zoology and its strong ties to cultural context. As in her similar The Animal Estate (Harvard Univ., 1987), Ritvo rarely lapses into academic jargon. Recommended for larger public and academic libraries.?Eric D. Albright, Duke Medical Ctr. Lib., Durham, N.C.Copyright 1997 Reed Business Information, Inc.

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From Kirkus Reviews

This wide-ranging study of the ``heroic age of scientific classification'' attempts--with only partial success--to place the taxonomic advances and prejudices of 18th- and 19th-century England in a broader cultural context. MIT historian Ritvo (The Animal Estate, 1987) first analyzes the politics and ``broader allegiances'' that clouded the objectivity of zoologists who embraced the gargantuan task of ordering the biological world, even as British imperialism was rapidly expanding their knowledge of that world. The author exhaustively details the unprofessional behavior scientists resorted to for personal gain (such as needlessly inventing new species and naming them after their employers). Then she expands her definition of taxonomy to include the informal classification of animals by amateur naturalists, groups with specialized relationships to animals (like farmers, breeders, hunters, and pet owners), and the general meat-eating public. Ritvo persuasively argues that ``each of the ways . . . people imagined, discussed, and treated animals inevitably implied some taxonomic structure.'' Her analysis of how British sportsmen classified wild animals as game or vermin points to a more fundamental and still prevalent assumption that nature exists solely for human entertainment. Similarly, her analysis of the conflicts between hunters, farmers, and pet owners over the proper role of wild animals describes a cultural battle yet raging. Too often, though, Ritvo shies away from social analysis with a sense of propriety rivaling that of her Victorian subjects. Her introduction notes that ``worries about the concupiscence of human females structured the theory and practice of animal breeding''; in the text these worries are mentioned only briefly, and Victorian attitudes about female sexuality are dodged entirely. This hit-and-miss social commentary, combined with a penchant for inflated academic language (allayed only slightly by period cartoons), sabotages Ritvo's goal of illuminating the cultural ramifications of Enlightenment zoology. (illustrations) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

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Product details

Hardcover: 288 pages

Publisher: Harvard University Press; 2nd prt. edition (October 1, 1997)

Language: English

ISBN-10: 0674673573

ISBN-13: 978-0674673571

Product Dimensions:

6.4 x 1 x 9.5 inches

Shipping Weight: 1.3 pounds

Average Customer Review:

4.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,947,808 in Books (See Top 100 in Books)

Harriet Ritvo's The Platypus and the Mermaid (and other figments of the classifying imagination) is an interesting look at the Victorian passion for classifying things. The book ranges and prowls over many communities from the scientific to the farmer to the sideshow. This is more about the lack of firm boundaries in Victorian society as science tried to define itself than the author's whim. But the author does handle the twists and turns adroitly. This is a good read and a wonderful look at the Victorian period and what the scientist and the lay person considered important in their need to classify their world, particulary as it grew with the growth of the British Empire.

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Selasa, 15 November 2016

Free Download We the Animals

Free Download We the Animals

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We the Animals

We the Animals


We the Animals


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We the Animals

Product details

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Audible Audiobook

Listening Length: 3 hours and 5 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Blackstone Audio, Inc.

Audible.com Release Date: September 1, 2011

Whispersync for Voice: Ready

Language: English, English

ASIN: B005KFQAKO

Amazon Best Sellers Rank:

I really enjoyed this, actually! Honestly, it sounded a lot like something I would write. Everything is very metaphorical and poetic. Seeing as this novel is a scant 128 pages, a lot has to fit in there so there's a good amount of reading between the lines to be done. This was one of my favorite books that I have read for my program thus far, however. If you take the time to look into the beautiful sentence structure that makes up this book, the themes (mainly childhood and coming-of-age) are developed with impeccable skill. If you don't like that sort of thing, though, this will get very tiresome, very fast. At the beginning, I wasn't paying attention to the word choice and was instead frustrated by the lack of obvious overarching plot. While this is a full novel because of it chronology and overarching themes and characters, it could also make it's way in the world as a short story collection. You do have to look in order to see what's there. Just to get you started, I'll give you a hint: in the beginning chapter, the author uses 'we' and repetition of sentence structure to emphasize that point while in the last chapters, there is a distinct use of 'I' (and generally separate pronouns).The Final Verdict:Though you have to dig a little to find it, there is a cache of gold at the center of this novel.4.5 stars

3.5/5I love the opening line of Anna Karenina: “Happy families are all alike; every unhappy family is unhappy in its own way.” Unhappy families all have their own special brands of dirty laundry and dark secrets.But it’s rare that you get to see what makes an unhappy family so unhappy (unless, of course, you have the misfortune of coming from one). People often keep their unhappiness behind closed doors.We the Animals opens those doors. Wide.A little family background:-- A fourteen-year-old white girl gets pregnant by her sixteen-year-old Puerto Rican boyfriend.-- They drive to Texas to get married (they are from New York, and she’s too young to get married there).-- Over the course of three years, they pop out three kids.-- They move to upstate New York in search of a better life.-- She works the graveyard shift at a brewery; when he works, he works odd jobs. He’s better at drinking than working.-- The three kids, all boys, are wild and thick as thieves.At the start of the book, the unnamed narrator (who speaks in first person plural, referring to himself and his two brothers) is seven. His older brothers, Joel and Manny, are nine and ten, respectively. Paps calls the boys “mutts” (“You ain’t white and you ain’t Puerto Rican.”).Ma and Paps are reckless, abusive, desperate, young, and immature. They are still growing up, despite having the responsibility of three mouths to feed and minds to shape. Their parenting choices are questionable at times and atrocious at others–they smother the three boys with love and need in one moment and treat them like absolute s*** the next.The book (at a scant 128 pages, it’s more of a novella, really) is told in vignettes that span about a decade. There’s the time Ma comes home on the narrator’s birthday after having been beaten until she’s purple. There’s the time Paps shows the boys how to dance the mambo like a “purebred” in the kitchen. There’s the time Ma and the boys act like Gallagher in the kitchen, smashing tomatoes and tubes of lotion and bottles of ketchup until they’re covered in slime and goo and look like newborn babies. There’s the time Paps tries to teach Ma and the narrator how to swim by taking them to the middle of a lake and leaving them there to fend for themselves.Each chapter is like the telling of a distinct, vivid memory (some separated by days, others separated by years). They are snapshots that range from the joyful to the excruciating.As soon as I finished reading the book, I went online to find out if it is autobiographical. It seemed like Torres was drawing from personal and painful experience. It is frighteningly and heartbreakingly real. And, not surprisingly, there is a lot of truth in his novel. The author has said in interviews that the facts are autobiographical, but the incidents are fictionalized.We the Animals takes you on an emotional roller-coaster ride. That’s a played-out description, I realize, but here it is apt. There were times when I laughed out loud and times when I felt sick to my stomach. There’s a lot of love in this book, but there’s also betrayal and abuse and devastation.Reading this book feels vaguely voyeuristic. You’re reading someone’s family secrets, and it feels a little wrong . . . but you want to do it anyway.Who should read it: fans of short fiction (this is more like a collection of related short stories than a traditional novel); people who like emotionally-wrought memoirs.

We The Animals is a somewhat autobiographical coming-of-age story of a young boy growing up in an unusual family environment. The boy lives with his two older brothers and his decisively young parents, who conceived their first child when the mother was fourteen years old. The parents are mixed race, with a Puerto Rican father and a white mother. The storyline follows the boys through various events that shape their upbringing, such as going to work with their father as a night watchman and feeling the judgment of one of his coworkers, or watching the dynamic of his mother and father as they fight physically, then show moments of passion and deep love for one another and the family that they have raised together. Torres himself hates to label this family as "dysfunctional," for it is simply the dynamics of any family that give rise to the struggle of providing for the family mixed with strong feelings of love.There are sincere moments of family love in novel. The narrator and his brothers are being bathed by their mother and father, who then fall into a spell of affection and leave the boys to shower each other with passion. Consequently, there are other moments, for example, when the narrator's mother has not heard from her husband in weeks and contemplates running away with her sons. The father repeatedly calls the house phone in front of the boys, who, however young they are, are forced to decide for their mother whether she should take them away or let them stay in the house and answer the phone calls of her husband. The novel is filled with absurdly warm moments, partnered only by those that are depressing and difficult to read. We the Animals is a heartbreaking, yet hopeful novel, for we are to understand that the narrator eventually finds himself and finds his way out of the confusing family life he had grown up in.Torres' voice is one that is unique in itself, he writes from the standpoint of a mixed race, queer individual. He hopes that the novel provides readers with an emotional connection to their own lives, for, as he points out, "a coming-of-age novel is like a coming-out novel, but for straight people." The book reads quite fast, with just over one-hundred pages, yet draws you in from the start and urges you to finish it in one setting. It is a deep novel that hurts to read and fully understand, yet provides a sense of guidance and acceptance, as you are reading, knowing that the author had the ability to grow up out of his troubled youth and share his story.

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Kamis, 10 November 2016

Ebook One Simple Idea, Revised and Expanded Edition: Turn Your Dreams into a Licensing Goldmine While Letting Others Do the Work, by Stephen Key

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One Simple Idea, Revised and Expanded Edition: Turn Your Dreams into a Licensing Goldmine While Letting Others Do the Work, by Stephen Key

One Simple Idea, Revised and Expanded Edition: Turn Your Dreams into a Licensing Goldmine While Letting Others Do the Work, by Stephen Key


One Simple Idea, Revised and Expanded Edition: Turn Your Dreams into a Licensing Goldmine While Letting Others Do the Work, by Stephen Key


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One Simple Idea, Revised and Expanded Edition: Turn Your Dreams into a Licensing Goldmine While Letting Others Do the Work, by Stephen Key

Product details

Hardcover: 288 pages

Publisher: McGraw-Hill Education; 2 edition (October 6, 2015)

Language: English

ISBN-10: 1259589676

ISBN-13: 978-1259589676

Product Dimensions:

6.3 x 1 x 9.3 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

617 customer reviews

Amazon Best Sellers Rank:

#14,671 in Books (See Top 100 in Books)

I must say that "One Simple Idea" has helped me all the way thru the process of getting my own idea out there. I have already gone thru one patent with no success. With "One Simple Idea" I got all the information I needed to go step by step to move forward. I saved so much money and many mistakes just by reading Steven Keys book. On November 12,2016, I signed my first Licensing Agreement with a large Manufacturer that producesYard and Garden material. In fact they are test Marketing my idea in the large Big Box stores as I'm writing this review. So if you have an idea and have no clue of what to do, then your best bet is to get "One Simple Idea". It's affordable and very easy to understand. Steven wrote it to have anyone who doesn't want to go through the humble-jumble of trying to figure out what's he or she is reading about. Just EZ to Read. Shoots...for less than a HOT Pepperoni Pizza, you can get going by getting yourself this book and who knows...buy yourself the whole Pizza shop!Keep on Dreaming...You won't regret it!Ernest Kalani Makainai

I love this book! I'm in the process of developing a product and it gave great insight not only the creative process of my idea, but also on what steps to take after the creative process. It teaches you some inexpensive ways to protect your product when sharing your idea to potential investors or distributors. This book also not only teaches you how to find and contact large distribution company's on your own, but it tells you what to do to build your confidence before contacting the companies you're most interested in. I'm developing a sporting goods product and I wanted to find a school to help me test and make any changes I may need to help me produce a great product for my market. So I used the techniques I learned from this book to call some schools and to my surprise! I was able to not only get the schools president on the phone and speak with him but he gave me his personal contact information and is willing to help me along the way!! It was so unexpected that my wife was in the background laughing at the shock on my face as it was happening.

I was thinking of taking a product to market myself. Then I realized all the time and money and overall responsibility it would take to run at company. I decided I'd rather let someone else of it. In the throes of that decision I came across this book and some of the youtube information. I loved the book, wished I had read it earlier but am so glad I read it now. My plans have changed. I'm working with Steven and his group, have a terrific mentor and everyday am excited. I am sure I'm going to licensing my current product and then there are more to come. Bottom line, great informative book that will serve you well whether you decide to go it on your own or work with Steven. Now matter how much business experience you think you have, the book and company will save you time time time and give you a laser focused way to license a product. I don't work for the White House so there is no conflict of interest if I say BUY THIS BOOK!

Stephen's impact is indeed a global one and this book empowers the common guy to think BIGGER and act faster with the information as the leverage. In writing this book it is my sincere belief that he's been a catalyst to build ecosystems of wealth in communities that might otherwise ho begging in terms of knowledge. I am grateful Stephen has written this book,articles,interviews granted. Only a "Truly"creative mind can make the complicated simpler.Stephen Key has done so and more here! I'm not where I want to be on my ideas yet but,I'm fleshing them out now without the fear and trepidation I had prior to reading 'One Simple Idea'!

The author goes into great detail to explain the the ins and outs of licensing your product ideas to companies. I respected his thoroughness, energy and inspirational stories and it was an easy read. Only downside was it is a tad sugarcoated and he makes it seem like companies are just dying to hear from you and license your ideas. He also skipped over the fact that 90% of products fail to make any real money, so it takes a lot more than "One Simple Idea" to succeed at this game. More like one REALLY good idea.

This book is one of the best books on this subject. After reading this book and following Stephen and his co fonder, Andrew Krauss on YouTube, I signed up for their coaching on "inventRight.com." If you have ideas and do not know how to bring them to "LIFE", to the market? Get this book, start watching Stephen and Andrew on YouTube and sign up for their coaching! It is well worth the money and the education. I was a 2017 student of them and I am now working on licensing my first product or possibly taking it to market myself all because of what I learned with invenRight!!Change yourself and your future in the coming year and get the knowledge you need to be successful.

This is a tremendous book and covers all the essential information you need to bring your idea to life.The small amount of money you will spend on this book is dwarfed by the confidence it provides in giving you a road map to license your idea as well as potentially helping you to avoid wasting thousands of dollars in prototype costs and legal fees.If you are developing your idea or about to present your idea to a Licensor and don't feel you have the time to read it because you feel it will "slow you down". Stop, pause, take a breath, slow down and read this book. Your idea will still be there when you are done and you will be much more competent to proceed. In fact, the knowledge you will gain will ultimately save you much time (and again - money).

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One Simple Idea, Revised and Expanded Edition: Turn Your Dreams into a Licensing Goldmine While Letting Others Do the Work, by Stephen Key PDF
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Rabu, 19 Oktober 2016

Get Free Ebook Maldives Berlitz Pocket Guide

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Product details

Series: Berlitz Pocket Guide

Paperback: 144 pages

Publisher: Berlitz Publishing (August 31, 2007)

Language: English

ISBN-10: 9812467777

ISBN-13: 978-9812467775

Product Dimensions:

4.1 x 0.4 x 5.8 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#8,844,947 in Books (See Top 100 in Books)

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Kamis, 06 Oktober 2016

PDF Download No Logo: Taking Aim at the Brand Bullies

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No Logo: Taking Aim at the Brand Bullies

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 18 hours and 31 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Macmillan Audio

Audible.com Release Date: December 13, 2011

Language: English, English

ASIN: B006LPQVGK

Amazon Best Sellers Rank:

Must read for anyone wishing to better understand how whacked out the US marketing and consumption fetish is...and why.Ms. Klein is a serious writer. Read all her books and articles, or remain dumb.Read this years ago, just posting now...

this book is an excellent read for people trying to understand how modern marketing and branding works. Naomi answers a lot of questions about what brands are, why theyre important, how they work, and the consequences of them. I spent the first 5 chapters absolutely crucified by rage however, as her examples are very familiar.

This book's main content has not been updated since the late 90's and thus does not cover all the changes that have happened in the world since; it does have a comment on 9/11 but it is extremely brief. It would have been interesting to see Klein's take on the 2008 recession.Aside from that, it does provide some interesting insights but at times the narrative feels too redundant.

A classic of contemporary cultural criticism that explores a new subject in-depth from every angle--historical, cultural, sociological, and political. Read this before Klein's later books. They make a meta-narrative for our times, written with style after exhaustive research and critical thinking that connects the all the dots.

Great book,just loved how it made me see the things that were so much part of my life and that I wouldn't question.Now my views are different, I catch the logos, I catch the subtle messages, I catch the hidden messages that drive me into the consumer that I am, and understand better why, how and who is behind all of it.This book is well researched, and even if written almost ten years ago, not much has changed in the world of marketing and how we are tricked into buying the things we don't need from across the world.A great read.

Despite having become modestly dated in its details (a updated edition or follow-up work would be welcomed), Naomi Klein's book No Logo remains an important work about the blurring boundaries between global business and global culture. Since its publication, much of the globalization furor directed at Kathy Lee, McDonald's, Nike, Shell Oil, Pepsi, and others has died down or been redirected at health, local impact (e.g., Wal-Mart stores) and other important but ancillary issues (take, for example, the movie Super Size Me). The fact that the noise has subsided does not, however, mean that the problems Ms. Klein cites have disappeared. More likely, the companies subjected to such scathing public rebuke have better learned how to play the game, managing their PR more effectively and hiding further and further behind layers of subsidiaries, contractors, sub-contractors, and locked factory gates.No Logo is a significant work, deserving to be much better known than it is. American consumers -- that is, all of us -- need to reach a much better understanding of how brand management has evolved into culture management, how Starbucks and Nike and Gap and The Body Shop and so many other companies are infiltrating our subconscious and controlling our cultural dialogues. No Logo still serves as an eye-opener for those who have been spending so much time at the mall that they have not yet seen what is going on around them.Sadly, No Logo is not the most approachable of books for the general populace. It is over-long and over-detailed, bogging down in topics that are probably exciting to radical activists (like billboard jamming) but are sleep-inducing to most readers. Like many people who are involved in activism, Klein sometimes loses the forest for the trees, giving us so much insider detail about causes and people we don't know that we lose interest in, and attention to, her real message. My rating of only four stars, while certainly positive, derives from Klein's tendency to preach too much to the converted and spend too little time educating the as-yet unconverted.The book is divided into four sections: No Space, No Choice, No Jobs, and No Logo. The first two sections, encompassing the first eight chapters, are well worth the price of the book by themselves. Readers will come to a new understanding of how the public spaces around them are being manipulated by mega-corporate messaging, how those corporations hide behind a public face of social consciousness, and how violently they respond when anyone seeks to question their self-proclaimed high moral ground. I would recommend these eight chapters as required reading for every third- or fourth-year high school student in America. Chapter 16, "A Tale of Three Logos," is also a fascinating account of less than admirable behavior on the parts of Nike, Shell, and McDonald's, definitely worth reading.I can only hope that Ms. Klein will someday revisit her subject matter again, perhaps to publish a more streamlined and updated version that will reach a wider audience. She deserves the audience, and the American public needs to hear her voice. Despite her understandable tendency toward one-sidedness (perhaps necessary in this case to avoid being drowned out by Nike and McDonald's commercials and Starbucks ads), Naomi Klein's No Logo is an important book that all consuming Americans should read.

Amazing book. The author is explaining how corporations are taking over governments and people. She shows how the pseudo economical growth is destroying countries and social structures. Just read it!

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Selasa, 04 Oktober 2016

Free Ebook Connemara Mollie: An Irish Journey On Horseback, by Hilary Bradt

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Connemara Mollie: An Irish Journey On Horseback, by Hilary Bradt

About the Author

Hilary Bradt is well known as a writer of articles and guidebooks. This is her first narrative travel book.

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Excerpt. © Reprinted by permission. All rights reserved.

Chapter 5Most horse owners are familiar with the rage and despair that accompanies the trudge round a large field of long dew-soaked grass in pursuit of their animal. Mollie kept on with her eating, an ear cocked for my soothing pleasantries and a sneer on her lips, until I was 10 feet or so away, then took off at a brisk trot. I’d left her head collar on just in case, but she understood the just in case perfectly well and made sure I was never within grabbing distance. “Come on Mollie, good girl!” I said in gentle horse-loving tones as I walked towards her with equicide in my heart.  ...Filling a bucket with horse nuts I went back to the field and got exactly the same reaction. Mollie let me get a little closer and showed interest in the bucket’s contents but however stealthily I reached out my hand she always saw it coming and trotted off. However, my arrival with a bucket hadn’t gone unnoticed by the herd of bullocks in the neighbouring field and they galloped up and down the fence bellowing encouragement whenever I seemed to be approaching them. Eventually Mollie’s greed got the better of her and I managed to take hold of her head collar. Typically, once caught she accepted the situation with equanimity and I was able to clip on the lead rein and start for the gate. Here I was confronted with a new problem: Mollie’s gate led into the bullocks’ field where another gate, at right angles to the first, opened onto the road. Both were secured by the same piece of rope so either both were closed or both open. The bullocks were clustered excitedly by the gates waiting for me to deliver the goodies in the bucket. I had to tie Mollie to the gate-post and leave her eating her horse-nuts while I unfastened the rope securing the two gates. Then I propped both gates shut and started to climb back over the stone wall into Mollie’s field. The top boulders gave way.  I fell heavily with a squawk of pain, Mollie took fright, pulled back and broke her lead rein, the gate swung open and three bullocks escaped into the road. I was near to tears.                                                                    Chapter 11There were three rooms, so the kitchen/sitting room was also a store room, with bags of potatoes and farm implements stacked by the walls. The only furniture was a table, two or three hardback chairs and a settee. The floor was cement and tea water boiled on an ancient turf-burning stove. Apart from a religious painting and a calendar there was a 1940’s wireless that didn’t work and an even earlier clock with a loud tick. We spent such an agreeable evening together, drinking tea and eating brown bread.  Mum sat snapping sticks for kindling while we discussed hospital care (“Oh God, I thought my heart would stop there and then”), the evils of television (“Oh Lord I wouldn’t have one in the house!”) to farming, marriage and whether politicians should tell the truth.

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Product details

Paperback: 208 pages

Publisher: Bradt Travel Guides; First edition (September 18, 2012)

Language: English

ISBN-10: 1841623865

ISBN-13: 978-1841623863

Product Dimensions:

5.2 x 0.5 x 7.8 inches

Shipping Weight: 7 ounces (View shipping rates and policies)

Average Customer Review:

3.1 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#1,194,558 in Books (See Top 100 in Books)

Reminiscent of Robyn Davidson's "Tracks" – with rain. I was completely absorbed, cantering along beaches, struggling over stone walls and plodding through bogs with the adventurous author and her companion, a pony of great character. The ending I read through a mist of tears.

I was looking for more insight into Connemara and have no interest in horses, which it is really about. The writing is OK, just not what I was looking for.

Got some good ideas for places to visit in Ireland, but am not going by pony. Also got a good feel for the people the author met.

This is a book to inspire adventure travels. Through the very specific adventures that she had in traveling Ireland by horseback almost 30 years ago, Hilary Bradt brings to life the excitement of taking an unusual trip. What I found most enjoyable was that this is not a journey seen through the rosy view of 30-year-old reminiscences, remembering only the joys. It talks as much about the frustrations of traveling, especially alone - the days spent slogging in the rain, the evenings encroaching without knowing where to stay (and feeling intimidated by its challenges). And yet as a reader I felt the elation when the sun broke through or when a difficulty is solved by a kindly stranger. It is what I have experienced as a traveler when I am smart enough not to plan too much.The story is told well and in a straightforward manner, with flashes of humor at the situations she finds herself in. The connection between rider and horse grows as the story proceeds, and the bond is understood not through overstatement, but through the details of the adventure they shared. And so nothing prepares you for the ending; and you experience the shock as the author did.

Connemara Mollie is a gentle amble through Hilary Bradt's early years and on into the rain-lashed lushness of the emerald isle. I loved the image Bradt created for me with "green roads" and "rocky, gale-swept Connemara [where] a few hunch-backed trees leant away from the prevailing wind." It is a poignant portrait of the close relationship of trust and affection that develops between horse and rider, and which (like all close relationships) can career between love and occasionally almost hate, as frustrations, discomforts, fears and hunger are shared.

Here's the story of a woman who had a childhood dream of taking a pony on a long solo journey. Painfully shy, the author decided, rather than join a group with a knowledgeable leader, to come to Ireland, buy a beautiful, stout-hearted Connemara pony and slog that pony through bogs until the horse, wandering in the night, fell over a cliff to her death. One has to wonder why the author would persist in such a miserable, ruinous "adventure" much less write about it. A sorrowful tale of self-delusion and misadventure all leading to the unnecessary death of a worthy animal.

I enjoyed this travel story for most of the book. As a horse lover and rider I have often fantasized about treking with my horse. But I also found the authors ignorance and lack of basic horsemanship knowledge very alarming. I thought she was bold but foolish to take on an adventure like this alone. Given that she wrote the book years later I am surprised that she does not reflect on how naive she was. I think anyone familiar with horses will read this book waiting for someone or the horse to be injured.

Who authorized the publication of this sorry author? Beware readers who care about adult treatment of animals in our care.

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Kamis, 15 September 2016

Download Ebook The Organic Artist: Make Your Own Paint, Paper, Pigments, Prints and More from Nature, by Nick Neddo

Download Ebook The Organic Artist: Make Your Own Paint, Paper, Pigments, Prints and More from Nature, by Nick Neddo

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The Organic Artist: Make Your Own Paint, Paper, Pigments, Prints and More from Nature, by Nick Neddo

The Organic Artist: Make Your Own Paint, Paper, Pigments, Prints and More from Nature, by Nick Neddo


The Organic Artist: Make Your Own Paint, Paper, Pigments, Prints and More from Nature, by Nick Neddo


Download Ebook The Organic Artist: Make Your Own Paint, Paper, Pigments, Prints and More from Nature, by Nick Neddo

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The Organic Artist: Make Your Own Paint, Paper, Pigments, Prints and More from Nature, by Nick Neddo

Review

"I highly recommend this book! Clear and concise, it has a place in every art studio, every home, every school, and every summer camp. Clear, concise and easy to follow makes this book a pleasure to both use as a how-to book and read through for pleasure." - Michael Pewtherer, author of the Wilderness Survival Handbook"I think this book will be very popular among our readers, with good reason. It's so well done, and written very purely, in close touch with the earth. It's kind of a love story, because you can feel how appreciated all of the earth's offerings are to the artist." - The Essential Herbal Magazine"His landmark contribution, The Organic Artist, is your Rosetta Stone, if you will, and will unlock your creativity, whether you are an artist or an earth living skills student or instructor. Seriously. This is it. Your Golden Ticket, to a whole new world and relationship to the wild around you. It opens the doors to a level of exploration that most people haven't even tried to pass through, because they 'didn't know how' to make their own paints, inks, paper, or pigments. Until now, that's been a valid point. It's a how-to book, through and through, but it's more than that. It's a showcase of Nick's art, made from oak ink, or grapevine charcoal, or beeswax crayons and hand made paper." - Ricardo Sierra, Hawk Circle Wilderness Education Executive Director

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About the Author

Nick Neddo has been teaching people primitive skills since 2000. His interests span from Stone Age skills and technology, to nature observation and art. Drawing, however, is his first and greatest interest. His skill set also includes wilderness survival, tracking and awareness, basketry, and hide tanning. He currently teaches at the Roots School in Vermont, where he runs classes and workshops for both adults and children on primitive arts, Stone-Age living skills, wilderness survival, and nature awareness. He is the author of The Organic Artist: Make Your Own Paint, Paper, Pigments, Prints and More from Nature as well as Wild Art Workshop for Kids: A Kids Guide to Making Supplies and Art from Nature. He lives in Montpelier, VT.

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Product details

Paperback: 160 pages

Publisher: Quarry Books (January 15, 2015)

Language: English

ISBN-10: 1592539262

ISBN-13: 978-1592539260

Product Dimensions:

8.5 x 0.5 x 10.5 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

93 customer reviews

Amazon Best Sellers Rank:

#93,401 in Books (See Top 100 in Books)

This book is a homesteader's dream come true. It is loaded with practical artistic projects that if practiced and done correctly can give one a very well-founded sense of accomplishment and joy. I haven't done any true home creative projects in quite a while and reading through this book really got my juices flowing to start on a project using materials that I already have (pet hair galore), or that I can find on my suburban property. These various projects are often linked together such as making glue out of hide pieces then having to add your iron/vinegar solution that you made as a previous project. I am looking forward to trying out some of the more simple projects with my kids this spring when we can work outside and not stink up the inside of our house cooking up what is required in a project to cook.One of my kids is really wanting to make home-made quills from large bird feathers. We won't be able to find any of large feathers around here so we will have to purchase them somewhere but the experience of knowing how to make the quills is what we are after. Then later, we can choose what type of ink we want to make - coffee, berry, soot, black walnut or some other? I've reached the age where I'm now very interested in what my ancestors did and how they did them, and I want to try to instill that interest in my kids, if possible. Honestly, I don't see our way of life being sustained forever and the day will probably come sooner than we think that all of this stuff we've had for years available all the time nearly everywhere we go just might not be around anymore, or nearly in as much a quantity and cheap price. It might behoove a person to learn to make things the way they used to be made. And besides, it's fun!!Love the projects in this book and I look forward to making a lot of them with my kids or without. I am especially interested in making paper, which we can write on using our home-made quills and ink!

I first heard about this book through an email link and being artist and jack of all trades I decided to pick it up on a pre-order. I have purchased books on making various things from nature in the past and some of them are either too simplistic, to boring, or are nothing but pictures. Of course some of the books are great and I have to say this falls into that category. It has enough information on the basics to grab your interest without being boring and it allows you to be creative with your variations. It also has enough pictures to get the information across correctly and show what you can do with the techniques, without being a coffee table book.I do have a couple of small things I can see as being problems for others. First, this book isn't really for city dwellers, urbanites, third story apartment renters, or those unacquainted with dirt. Not saying that people who live in cities won't gain anything from this book, but many of the processes are smelly, or require the ability to light fires without going to jail. Also since the book suggests, as do I, that the reader acquire materials from nature, in a humane and eco-minded manner, living in a city would make this difficult and ordering too many materials in sort of defeats the point. Second, I found some of the topics covered to be rudimentary, although I believe that is more from my preexisting knowledge on the subject rather than an issue wit the book. It is only for a couple of things, however, and even though I dabble in this sort of art (for example I make my own charcoal all the time) I still found a great number of useful things.If you are an artist or know an artist who has access to the outdoor wonders of nature, then I recommend this book for you, or for you to purchase for them. Also anyone who likes the book "Back to Basics" by Abigail R. Gehring will love this book as well. If you like to take hikes and long nature walks you will be amazed by all of the materials you can find in just a couple of minutes of looking. I can see this book getting ragged edges and a worn cover, not because of the quality of the bookbinding, but because I will look at it so often. BUY THIS BOOK.

This book is unlike any book on art that I have ever read or have in my art library. The pictures on the cover are what drew me to this book. I love to use charcoal, inks, watercolors, etc in my art. I also love to use earthy colors, and I especially love to have an organic feel to my art. So this book piqued my interest.It exceeded ALLand EVERY expectations. I'll never walk through the woods, go on a hike or look at my own backyard the same. Nick breaks down step by step different ways to create all my favorite mediums using materials Mother Nature provides.All that said, making the different supplies listed throughout his book are not quick to make, nor may all the materials be readily available. Though everything is broken down in easy to follow step by step with pictures, and photos of art Nick creates using his organic supplies. Even if you never want to make your own supplies, this book is a worthy addition to any artists library.

Inspiring! I love nothing more than walking in the wild, gathering plants and creating works of art from them. But up until now, most of those things we tools for survival. Bowls, bows, baskets and everything else you can think of that starts with the letter B. The Organic Artist however, allows the individual to step back in time to that moment when art was advanced one step further than function. With one foot in the past, the reader can take a step forward toward the future, where perhaps, like the author, they can create magnificent works of art that are made, start to finish, in harmony with the natural world. Neddo's own work serves as an inspiring example of what's possible and his explanations are clear and easy to follow. I'm most grateful for the teachings shared in this book.

Overall this book will teach me most of what I need to know. The only parts of it I absolutely will not be using are the parts like the 'hide glue' that require use of animal parts to make it. I was hoping the section on paper would also include how to make paper from recycled paper but it only covers making it from leaves.

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